New Stonehenge Visitor Centre

In advance of filming for the new BBC series “The Manor Reborn” Wessex Archaeology were commissioned by the National Trust to undertake a programme of archaeological investigation and recording of the Grade I listed Avebury Manor. This would provide accurate dating of the various parts of the house, and to provide a record of the house before the transformation of its interiors.
The four part series begins on Thursday 24 November on BBC One at 9pm.
Find out more about our work at Avebury Manor.
Wessex Archaeology attended a meeting of the Avebury Archaeological and Historical Research Group (AAHRG) at Devizes Museum in February 2011, and gave AAHRG members an update on progress of the project so far.
At the meeting, Rob Skinner, currently on an EPPIC placement with English Heritage, gave a presentation of the results he had observed so far during an analysis of LiDAR data for the landscape around Avebury. These showed some fabulous features within the Avebury WHS, and built on the previous work undertaken as part of the National Mapping Programme (NMP) in 1999.
Rob has very kindly submitted an interim report of the work he has done so far, which can be downloaded here. This shows a considerable number of new field systems of both prehistoric and later date, as well as additional potential prehistoric mounds.
Wessex Archaeology is pleased to announce that we are co-ordinating the revision and updating of the Avebury and Stonehenge resource assessments, and will also be writing a single revised research framework uniting both parts of the World Heritage Site into a harmonised volume with a five year currency.
The resource assessment aims to be complete by June 2011, and regular updates regarding the progress of the project will be posted on the SARRF website. The revised research agenda will be open to public consultation in September 2011, with both the resource assessments and research agendas publicly accessible online via the project website. Following public consultation and comment, there will also be a public seminar at the end of the year, to discuss the research agenda and develop the strategies to make the agenda achievable, as well as encourage wide stakeholder participation and community ownership of the product.
It is envisaged that the research strategy will be open to online public consultation during February and March 2012, with the publication of the research framework (both online and in hard copy) during the summer of 2012. Wessex Archaeology will also develop a method of monitoring the progress of the research framework during its five year term to facilitate its revision in 2017.
Visit the SARRF website for more information.
Wessex Archaeology were asked to contribute an animation to the new touring version of last year's successful Making History exhibition, organised by the Society of Antiquaries of London. Over the next year, Making History will visit Salisbury, Stoke on Trent, Sunderland, and Lincoln. The exhibition will change at each venue to incorporate aspects of each region's own unique heritage.
Our animation, on show in Salisbury and South Wiltshire Museum until 3rd January 2009 (and at the end of this post!), gave us the opportunity to show some more of our work with the wonderful Stonehenge LiDAR dataset, as well as 3D laser scans of the Amesbury Archer's bones, and some new data captured with the University of Southampton's Archaeology department of WWI and WWII graffiti carved into trees on Salisbury Plain.
Lasers and Light from Wessex Archaeology on Vimeo.
LiDAR uses laser survey equipment mounted in an aeroplane to record the surface of the land below in three dimensions. The animation focuses on a field system in the Stonehenge World Heritage Site. Barely visible on the ground and in aerial photography, the features of the field system are revealed when a low level light is applied to the virtual landscape, throwing the virtual landscape into relief. The light source circles the earthworks, so their extent can be seen from all angles
Lasers can also be used on a smaller scale to study objects in greater detail. Here the skull and some of the long bones from the Amesbury Archer have been scanned. The 3D model has sub-millimetre accuracy, and can be used to study and measure their physical aspects without the need to touch the original.
3D laser scanning has also been used to record graffiti on a tree trunk on Salisbury plain on which the names of soldiers stationed there during training for both World Wars. Since they were carved the tree has grown, the bark expanded and the names have become harder to read. This visualisation shows how 3D data may be able to enhance the carvings and read the names more clearly, preserving them for the future. It may be possible to correlate the information on some of the trees with military records including dates of deployment on Salisbury Plain and the fate of the soldiers who carved their names.
We are very grateful to the Environment Agency for permission to use the LiDAR dataset from Stonehenge, and to Gareth Beale and Graeme Earl from the Archaeological Computing Research Group at the University of Southampton for processing the tree graffiti data during a hectic run-up to a season of excavations in Italy.
Find out more about our 3D laser scanning services.
The BBC Timewatch programme Stonehenge interprets the mysterious stone circles of Stonehenge as a temple built around 2,300 BC to which people came in search of healing. The Amesbury Archer is described as ‘one of most important archaeological discoveries in Britain.' He is called the Archer because of the stone arrowheads buried with him.
This man, who lived between 2470-2280 BC, died not far from Stonehenge. By then he was between 35-45, but isotope fingerprinting of his teeth showed he was born far away, probably in the Alpine area of central Europe. Near to him lay the grave of a younger man who was a relative. This man, his ‘Companion,' had been brought up in not far from Stonehenge, but as a child he may have travelled, perhaps even to central Europe.
Years before he died the Archer suffered a traumatic injury in which he lost his left knee and this led an infection of the wound that penetrated his very bones. He lived in constant pain from this wound, and as he put his weight on his good leg it grew stronger and the damaged leg withered. A tooth abscess also ruptured his jaw, and the infection that this caused may have led to his death.
The Timewatch programme argues that the stones brought from Wales to Stonehenge - the Bluestones - had healing powers. That is why, between 2,400 and 2,200 BC, they were carried over 150 miles, across land and over sea. Did the Amesbury Archer travel from near the Alps to Stonehenge motivated to find relief, to get better?
Perhaps the Archer sought magic. But he brought magic with him. In his grave was what at first sight looks like a small, black, stone. Its significance is that it was a metalworker's tool. And it identifies him as the oldest metalworker yet found in Britain. The gold hair ornaments buried with him are also the oldest gold objects yet found in Britain. The Amesbury Archer lived at the very beginning of the metal age in Britain.
Those skills had to be brought to Britain from across the Channel, carried by people like the Archer whose cultural links were with what archaeologists call the ‘Beaker culture'. These metalworkers had the practical skills in their hands and the knowledge of how to make metal objects in their heads.
Living at the beginning of the metal age, did the simple black stone eventually buried with the Archer give him a passport to travel through Europe? Was the status with which he was buried due to him having gained some relief from his illnesses at Stonehenge? Or was it, like many of the richest burials in continental Europe of this time, because of their new and seemingly magical skills in transforming stone to metal?
Radiocarbon dates do not provide exact historical dates, like 1066. They are statements of the statistical probability of a date range. The date range of the burial of the Amesbury Archer overlaps with the initial interpretation of the new radiocarbon dates for the bluestone circle at Stonehenge, which are given as 2,400-2,200 BC.
Another very important ‘Beaker culture' grave, and which has a good match with the date range of 2,400-2,200 BC given in the programme for the first arrival of the bluestones at Stonehenge, is that of the Boscombe Bowmen. This grave, a simple grave cut into the chalk, was found 1km away from the graves of the Amesbury Archer and his Companion.
The grave of the Bowmen was different because it is a collective burial; it contains the remains of at least 7 people. Like the grave of the Archer, the Bowmen's grave also contained stone arrowheads and Beaker style pottery.
The way in which the Bowmen were buried is unusual for the time. Only parts of their skeletons were present, and before then these bones seem to have been buried elsewhere. It is difficult to find close parallels for this way of burial in Britain or elsewhere in Europe.
The isotope fingerprinting of the teeth of three of the young men buried in the grave showed that, like the Amesbury Archer, they were not local. One of the few places in Britain that matches the strontium and oxygen isotope fingerprints of the Bowmen is Wales.
The igneous rocks of Armorica in north-west France provide another possible origin, experts suggest. The strontium isotopes can be matched but the match for the oxygen isotopes is not as good. However, in Armorica it is not unusual for several ‘Beaker culture' burials to be found close by and it has been wondered if this is a more likely homeland for the Bowmen? In favour of this idea is that by shortly after 2,000 BC there were close links between Wessex and Armorica?
Against the idea is the view that although some burials in Armorica may be found close by, they were still the burials of individuals and not a collective grave. These burials were often placed in Stone Age megalithic tombs that were being re-used. In contrast, the Bowmen were buried in a simple grave cut into the chalk.
More important is the key scientific fact about the Boscombe Bowmen. This is that their isotopes show that they had migrated when they were children. They can be shown to have been in one place at about the age of 5 when their first permanent teeth grew, and in another at about the age of 12 when their last permanent teeth grew. Both places were different from the place they were buried as young men. This is the best isotope evidence for migration in prehistoric Europe.
Archaeologists and scientists cannot be sure of where the Boscombe Bowmen came from. But does the new dating of the bluestones at Stonehenge now suggest that Wales is the most likely homeland for the Bowmen? When they were children, did the Bowmen make a journey in which the adults who brought the bluestones from Wales to Stonehenge had led the way? Or like the Amesbury Archer, did they come from continental Europe? Were they pilgrims from France?
National Archaeology Week 2008 is almost upon us and this year it comprises a whole nine days of events beginning on the 12th July.
This annual event is organised nationally by the Council for British Archaeology and aims to give everyone the opportunity to learn about the heritage that is all around us by becoming involved in archaeology. Come and join Wessex Archaeology as we celebrate National Archaeology Day at Salisbury Museum and explore our prehistoric past.
Entrance to the museum is free on the 12th July and there are a host of family friendly activities to get involved in.
You can watch displays of flint knapping and bronze casting; build ‘Stonehenge’ on the back lawn with Julian Richards or recreate the face of a Bronze Age person. Why not try your hand at metal detecting or visit Wessex Archaeology’s Time Travelling by Water stand to explore some submerged finds using diving equipment. In the lecture hall we will be exploring the methods archaeologists use to explore our past and inviting you to have a go at becoming an archaeologist yourself!
You can bring your mystery artefacts along to be examined by Wiltshire’s Finds Liaison Officer and see if you can guess what some of her mystery objects are. Whilst you’re visiting, why not view the museum’s displays including the newly opened Inspired by Stonehenge exhibition.
This event is brought to you by Salisbury Museum, Wessex Archaeology, The National Trust, Salisbury Cathedral and Wiltshire County Council’s Conservation Lab who have joined forces to create this Stonehenge Spectacular!
Entrance to the museum on National Archaeology Day is free and the museum is located opposite the cathedral cloisters, in the Cathedral Close. The museum will be open from 10am till 4pm and we look forward to seeing you on what promises to be a spectacular day.
For more information on National Archaeology Week and other activities that will be happening across the country this July, visit the CBA’s National Archaeology Week website.